The MOG Music Network has once again invited us to review albums, despite offending every person on earth during our last run.
In the comeback webisode of Home Taping, we “review” the solo albums of Julian Casablancas and Ian Brown who — as one or two of you might know — made their names as the charasmatic lead singers of their resepective super groups, The Strokes and The Stone Roses.
Who will win the battle of the band leaders? Who gives a shit? The tension is unbearable!
MOG reaction here.

Transcript
For those of you who find our Irish brogue too seductive, poetic and beautiful to be understandable, we have provided a transcript below. It will also help the MOG legal department prepare for the inevitable slander trial to follow. (Sorry, Rihannna.)
Title Card - Home Taping with Jill & Colin
FX: Jill and Colin arguing off screen.
C: Are you working with me, or what?
J: Yeah, sorry, I am.
C: I’m gonna start one more time.
J: Fuck’s sake.
Colin is decked out from head to toe in Adidas clothing, a la Ian Brown. Jill wears a Star Wars T-shirt
C: Where’s your Adidas gear?
J: I don’t have any.
C pulls face.
Title Card: Ian Brown - My Way
FX: Own Brain.
J & C dance energetically in their seats.
J: Oh, I love this bit!
Title Card: Own Brain
J & C chatting
C: Ian has come back with an absolutely amazing album, hasn’t he?
J (whistles): Amazing!
Dissolve to C in mid anecdote…
C: His daughter was playing Rihannna in the house and he rightly came up to the room and said, ‘Could you please turn that off, it’s rubbish.’
J: I don’t like her voice.
C: Yeah, that’s what he said… And she said, ‘If you’re so good, Ian — or, Daddy — why don’t you make a song for her that you think would be better.’ So he did, he wrote song which he thought would be better for her, sent it off to the record company… and it was rejected.
Title Card: Stellify.
J sings along in the voice of Rihanna.
J: I’ll Stellify-ah-ah-ah-ah-ah-ah-ah!
They laugh.
C: OK, that’s how it would have worked. Surprisingly, she turned that down… the opportunity to sing an Ian Brown song.
J: Yeah.
C: Which John Squire has turned down as well, for the last twenty years.
J snorts into her drink.
Title Card: So High
C: Apparently John wants to get back and to a Roses reunion tour. And Ian has strongly told him…to fuck off.
J: He doesn’t need him.
C: He doesn’t want to do it. NO. So he’s written a couple of songs having a go at John on this album.
J: Which ones are they?
C: ‘John, You Bastard.’ Number 8. And ‘Up Yours, John.’
J (laughs): Which is number 5.
Title Card: Marathon Man
FX: Marathon Man
J & C shuffle in their seats to the beat.
J: Is Ian from Manchester or is he from Liverpool?
C: Is Ian from Manchester or is he from Liverpool? (C drops head in exasperation.)
J: And what is the different in the accents—
C: There’s a million Stone Roses fans, crying into their fucking Adidas—
J: I know there’s a difference in the accent. Do it!
C (in thick Manc accent): Manchester!
J: And what’s Liverpool?
C (sings in thick Scouse accent): ‘Ferry, across the Mersey!’
J laughs.
C: Both idiotic. But different.
Title Card: Just Like You
C: This is a man who was sent to prison for an awful, awful crime… He got pissed up on a plane.
J: What did he do?
C: What did he do? He wrote four albums about it. Now, he’s coming out of that period, right? And he’s making happy songs.
J: Is it ‘cause he has kids?
C: Kids would depress you. No, he’s looked past that. He’s said, ‘I’ve got kids, I’ll forget about that, and I’ll make some happy music.’
FX: Just Like You.
J dances in her seat.
J: I could put me jazz shoes on!
Scrolling Block: So…What does Jill’s daughter think?
J: Her and her mates think it is electric.
C: A bunch of fifteen year olds like it?
J: She said to me, “I thought a granddad like that wouldn’t be able to come back
with a great album.”
C: Now that this crowd, a bunch of emos, like it, I’m a bit worried.
J: She’s not an emo, she’s a ‘scene’ head.
C: A scene head? What’s the difference?
J: They like Paramore and they like…
(long pause) Paramore.
They laugh.
Scrolling Block: So… what does the future hold for Ian Brown?
C: Ian’s got this persona on all his records where he’s like a preacher, preaching to people… preaching to the fucking converted, ‘cause it’s only Roses [fans] buying the albums. But maybe he’ll get a new audience with this—
J: Do you think that’s what he might go into eventually?
C: What?
J: Like, the priesthood?
C: The priesthood?
J: Yeah, ‘cause over in England, you can be married and have children. The only thing about it is I don’t think their mass’s have— Oh, they do— My nanny was a Protestant.
C: Oh, I didn’t know that. Seeya now.
C gets up and exits. J laughs.
Title Card: Julian Casablancas - Phrazes For The Young
FX: 11th Dimension
J dances energically in her seat. C just stares.
J: It’s kind of, like, from the era of Fame. Only better.
C: That wouldn’t be difficult though, would it?
J: When I got out of the car, I had it on, and I wanted to just jump with leg warmers.
C: I didn’t have a single thought to do with leg warmers.
J: That’s the difference between me and you. (Indicates her clothes) Fashionista. (Indicates C’s clothes) ‘Excuse yourself’.
C (laughs): And ‘excuse yourself’.
Title Card: Out of the Blue.
Fx: Out of the Blue
C rubs his face, J smiles happily.
J: [There was] another song, which I can’t remember, which was kind of slow, and I went, ‘Hmmm, that would grow on me’, but—
C: It wouldn’t grow on you enough to actually remember the name of it?
(J laughs)
C: You’re getting ahead of yourself now.
J: Am I?
C: Let’s do one song at a time.
J: I thought we were only going to do two, because there was only one song on the album that was actually good.
C laughs.
Scrolling Block: So… who wants to hear a longwinded Casablancas anecdote?
C: Me and Richard hid in the toilets, right? So we could get to see the electro band afterwards, who we liked. OK?
J: For free?
C: For free. But Casablancas came out of the dressing room—
J: Into the toilets?
C: No, not into the toilets, it’s not one of those stories, OK? He came out of he dressing room into the crowd, just to walk around, look out the window…
J: And did anybody know him?
C: …In other words, to be noticed. Nobody recognized him because they were the electro crowd.
J: Aaaah.
C: So, he’s walking around from window to window, looking out windows… and there’s only alleys…
J: I wasn’t there.
C: You weren’t there. Thank God… So, me and Richard were there and we said, will we actually tell him, will we tip him off? And we said, No, we won’t.
Title Card: The Verdict
J: I like him, I catually really fancy him, I think he’s amazing looking, but I was a bit disappointed.
C: Amazing looking doesn’t sell albums. Or does it?
J: Yeah, it does.
C: True.
J: In a magazine they said it was CD of the week! Were they giving it away for free?!
They both laugh.
Title Card: (c) Crooked Tooth Productions 2009
The pair talk off screen.
C: I thought you were gonna like the album.
J: So did I.
C: So did Julian.





















